Risques de contamination

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De : Cie Un Pas de Côté
Envoyé : jeudi 7 mars 2013 08:58
Objet : Des nouvelles de la Compagnie Un Pas de Côté

Cie un pas de côté

Chers ex-spectatrices, ex-spectateurs…
Juste avant la Journée Internationale de la Femme (minorité étrange vivant ça et là dont il est question dans « Victoire… ») et pendant que nos vaillants soldats assurent la sécurité (de nos approvisionnements énergétiques) au Mali, voici un petit courriel pour vous donner quelques nouvelles de la Compagnie Un Pas de Côté.

Les Cabarets de la NRV sont en sommeil jusqu’à l’automne prochain, parce qu’on tourne pas mal… Voici le calendrier des dates de nos spectacles, « Victoire, la fille du soldat inconnu », « elf, la pompe Afrique » et « Avenir Radieux, une fission française ».

Les détails sont sur le tout-nouveau-tout-beau site internet de la Compagnie (www.unpasdecote.org)

« minorité étrange » … !!!
« étrange » , encore à la limite.
mais « minorité » … !!!

Ce s’rait t’y pas que l’ Nicolas nous f’rait une ch’tite rechute de fantasme de domination masculine, des fois ???

Remarque, vue les doses de « littérature » des années 50s qu’il a ingurgité, les risques étaient bien trop élevés pour qu’il puisse raisonnablement espérer échapper à la contamination …

Tiens, à propos de risque de contamination, il y a dans le spectacle « Avenir Radieux », de quoi définitivement contaminer quelques idées reçues à propos du nucléaire.
Vous en prendrez bien une petite dose ?

Avenir radieux

vendredi 5 et samedi 6 à 20h
dimanche 7 avril 2013 à 15 h
(et non 20h comme initialement annoncé!)
Le Grand Parquet
Paris (75)

Pour les dates en régions, voir le calendrier

Ce qui manque

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(h)éros ni(e) queue
ou
(h)éros nique

Allez, ris !
aurait quand même été plus facile à porter …

Best antidepressant on the market ? Tony Joe White

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Tony Joe White – Taking the Midnight Train
Tony Joe White – Ain’t Going Down This Time
Tony Joe White – Undercover Agent for the Blues
Tony Joe White – Tunica Motel
Tony Joe White – Icecream Man
Tony Joe White – Steamy Windows
Ce mec devrait être financé par la sécu ! Sa musique est le meilleur antidépresseur* sur le marché.

* Ce qui ne veut pas dire que dans certains cas, la chimie ne peut pas être utile.

7 oct. 2013

I can’t set you free

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mon coeur
I loved you so
my heart
do let him go

if you love somebody set them free *Sting, from the album The Dream of the Blue Turtles, 1985
beautiful words but
not just words
pieces of me
going away

mon coeur
I loved you so
my heart
do let him go

hands, don’t you dare dreaming
of caressing him again, hands,
all that’s left to your tenderness is
waving him good bye

if you love somebody set them free
beautiful words
misleading words
but words
rather than slashing pain

if you love somebody set them free
I can’t set you free
’cause I can’t hold onto you
you’ve hold my love and desire
but you are free

Patricia Kaas – I Wish You Love – album Piano Bar

I wish you bluebirds in the spring
to give your heart a song to sing
I wish you love
All kinds of love

I Wish You Love est l’adaptation anglaise par Albert A. Beach de Que reste-t-il de nos amours ?

Shout for life

Point de vue

La mer

Esplanade de la Défense, Paris, 2011. Header of this blog, from it’s creation until January 2013.

Two months before I took that picture, someone talked to me there, at that very place where I later took the picture.

That was June 21st, Fête de la musique.
A moment before he came to me, I’d heard him sing with a rock band.

Among thousands of individuals in a colony, penguins identify their partner by the sound of their singing.

I thought I had recognized him.

In his voice was a shout for life.
The very same kind of shout I had in my voice: a muzzled shout.
From that moment, I knew we could mutually free ourselves of that muzzling. So I thought the two of us had to be. Forever.

No matter how much I hated La Defense. I always felt it was a hugely unhuman place. Giant towers there feel so much like the gigantic constructions ancient totalitarian system built at human costs – from egyptian pyramids to stalinian palaces. Their inner asceptical athmosphere and their outer oppressing size are so symbolic of how financial capitalism is squeezing life as well as human subjectivity.

When I went back to that place, I liked it though. Not just because he lived nearby and had showed me those cats that seem to come out of nowhere, after all the stressed out penguins in business suit, finally get on their two hours trip back to their suburbian house.

It felt like I was born there. I liked it, as you like the place where you are born. No matter how ugly or crazy the place is, you are attached to it. You can sometimes hate it. But you are still attached to it in some way. All you can choose is : attached in what way.

A year later, when I started this blog, I realized that maybe, I actually liked the place because something blossomed there. In what started there. In saying his name, in the soft caress of his arms. Something blossomed in my voice.

When we were sitting there chating, the water in front of us and the noise of some wonky air con blower as a wind ersatz got both of us to think of seaside. That was far from enough for me to call that place la mer.

And I wanted him with me on the road away from la mère, out of the Sagrada Familia wall. I wanted him so much. Probably because I thought I could not make that journey by myself.

It turned out that all he wanted was someone on his coach when he gets back from work or when he watches football games. No matter how much I loved him, at some point I had to face the facts : this is not me.

That’s how I learned that the road away from la mère, out of the sagrada familia wall is each of us own way.

Still. I fooled myself into believing he would come with me the whole way.
It took me a while to accept that no mater how much I loved him, I could only let him go his own way.
And take my own steps.

Poser ma voie.

Now that he holds someone else in his arms, that thing in my voice, that other myself that was born there grew stronger.

Poser ma voix.

That voice is rooted in the moments of tenderness with him. In that stretch of road we walked together, away from la mère.

I will take care of that seed.
Water it with more love
and let it grow.

To keep that voice blowing.